Datum/Zeit
Date(s) - 31/01/2020 - 02/02/2020
Ganztägig
Veranstaltungsort
HU Hauptgebäude, Senatssaal
auf Google-Maps ansehen
Kategorien
CONFERENCE: Marxism(s) in Art Historiography
Contact/Free registration under:
marxisms.art.history@hu- berlin.de
Program: Program – Marxism
Friday Jan 31
2.00 p.m.
WELCOME / INTRODUCTION
2.30-3.30 p.m.
KEYNOTE 1
Krista Kodres – Committed Writing. Making Sense of Albrecht Dürer’s Art on the Both Sides of the Berlin Wall
4.00-6.00 p.m.
SEARCHING FOR NEW PERSPECTIVES
Milena Bartlová – Construction of Marxist Humanism in Czech Art History
Piotr Juszkiewicz – From Plekhanov to ‘Young Marx’ and the Frankfurt School. Marxist Impulses in Polish Art History [1949-1990]
Karla Lebhaft – Parallels and Differences in Art Theory and Marxist-Humanist Thought in Post-Stalinist Yugoslavia
7.00-9.00 p.m.
EVENING LECTURE
Horst Bredekamp – The German Escalation: Emigration, Resistance, Division. Image Science from the Spirit of 1970
Saturday Feb 1
9.00-10.00 a.m.
KEYNOTE II
Warren Carter – Different Marxist Histories of Art Post-1968. O.K. Werckmeister and T.J. Clark
10.30 a.m.-1.00 p.m.
CONCEPTUALIZING ART
Dominic Rahtz – Marx’s 1857 ‘lntroduction’ and the Social History of Art
Boris Röhrl – Sympathy with Modern Art. Marxist Art Theory and Art History in Post-War ltaly
Antje Kempe – Working on the Past. The Reorientation of the Socialist Theory of Heritage in the 1970s
Marina Dmitrieva – In Search of Collective Consciousness. Folk Art Studies in the Soviet Union in the 1970s
2.30-5.00 p.m.
CRITICIZING MODERNISM
Marica Antonucci – Towards a Historiography of ltalian Marxist Art. The Case of Renato Guttuso
Kirill Chunikhin – Criticizing the Unseen. Soviet Marxism and American Art during the Cold War
Luiz Renato Martins – Notes on Modernisation, from the Periphery. On David Craven’s ‘Alternative Modernism’
Mathilde Arnoux – On the Shift of Relevance from Product to Method of Production. Eugen Blume’s Engagement with Action Art in the GDR
5.30-7.30 p.m.
BOOK PRESENTATION – Venue: Medientheater, Georgenstraße 47
Krista Kodres / Kristina Jõekalda – A Socialist Realist History? Writing Art History in the Post-War Decades [2019]
Hilde Heynen / Sebastiaan Loosen – Marxism and Architectural Theory across the East-West Divide. A Reflection [Special Collection in: Architectural Histories 2019]
7.30 p.m.
Reception – Venue: Atrium Georgenstraße 47
Sunday Feb 2
9.00-11.00 a.m.
ENTANGLING WITH POLITICS
Stanisław Welbel – Marxist Art Theory as an Art History Research Method in Post-War Poland
Katarzyna Cytlak – In Defense of Marxism. Jose Carlos Mariategui’s Concept of Art and lts Contemporary Translations in Latin American Artistic Production, Art Theory, and Criticism
Noemi de Haro García – Marxist Infiltration, Art Criticism and Art History during Francoism
and the Transition to Democracy in Spain
11.30 a.m.-1.30 p.m.
OVERCOMING DIVISON
Agata Pietrasik – The People’s Museum. Marxist Art History and lnstitutional Practice in Communist Poland
Nikolas Drosos – Against the Division of Artistic Labour. The Trope of the Synthesis of the Arts in Soviet Art Histories
Marina Gerber – Art as Free Time in the Soviet Art Theory After 1956
2.00-3.00 p.m.
CLOSING DISCUSSION
The conference is a cooperation of :
Chair for Art History of Eastern Europe, Humboldt-Universität zu Berlin
Institute of Art History and Visual Culture, Estonian Academy of Arts Tallinn, Department Culture and Imagination
Leibniz Institute for the History and Culture of Eastern Europe, Leipzig
Organizers :
Katja Bernhardt (Berlin), Krista Kodres (Tallinn), Marina Dmitrieva (Leipzig), Kristina Jõekalda (Tallinn), Antje Kempe (Greifswald), Beata Hock (Leipzig), Eva Pluhařová-Grigienė (Flensburg)
