Institut für Kunst- und Bildgeschichte - HU Berlin » Personen » Ehemalige » Seiten ehemaliger MitarbeiterInnen » Khadija von Zinnenburg-Carroll » Publications

Publications

III. PUBLICATIONS

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Books

Art in the Time of Colony, (London: Ashgate Press, 2014).

Articles in peer-reviewed journals

‘Sartre’s Boomerang: The archive as choreographed ready-made in contemporary Aboriginal art’, Discipline, 6, (2014).
‘The Presence of Absence: Tommy McRae and Judy Watson in Australia, the imaginary grandstand at the Royal Academy in London’, World Art Journal, 4.2, (2014).
‘A Case of Settler Art History: Wilhelm von Blandowski’s Encyclopaedia and the Aesthetics of Classification’, Zeitschrift für Kunstgeschichte, 4, (2014).
‘Visualizing a Continent: Blandowski and the Encyclopaedia of Australia 1862’, Arcadia, online journal (2014).
‘Fight the dragon long, the dragon you become: Performing Viewers in the Graffiti Monument’, Laboratorium, 2 (2013).
‘Ein Fall von Siedler-Kunstgeschichte: Wilhelm von Blandowskis Encyclopaedia und die Ästhetik der Klassifikation’, Mitteilungen des Freundeskreis für Cartographica, 22 (2013) 2-35.
‘…(excerpting collections) from a history of interventions’, On-Curating, 12 (2011), 20-24.
‘The Very Mark of Repression: The Dismantling of the Palast der Republik and the New Schloss Berlin’, Architectural Design Journal, (Sept. 2010), 10-18.
‘Humboldt’s Meal Micropolitics: Exploring Ethico-Aesthetics’, Inflexions, 3 (2009)
‘Re-membering the Body, J.J. Winckelmann’s Ekphrasis’, Word & Image Journal of Verbal and Visual Inquiry, 21/3 (2005) 261-269.

Special Journal Issues and Books Edited

The Importance of Being Anachronistic, (Melbourne: Discipline, 2014)
With Petra Lange-Berndt, Botanical Drift, (Berlin: K. Verlag, 2014)
With Ruby Sircar, The Vienna Zocalo, (Vienna: Academy of Fine Arts Press, 2012)

Contributions to Books

‘Suspense in the Cabinet: The case of Montezuma’s Crown, between Mexico City and Vienna’, P. Basu (ed.), The In-Betweenness of Things: Materialising Mediation and Movement between Worlds ~ A Cabinet of Curiosities ~, (Duke University Press, 2015). Contracted, forthcoming.
‘Cloakroom: Textiles as a postcolonial strategy in contemporary art’, in J. Harris (ed.), A Companion to Textile Culture, (Oxford: Wiley-Blackwell, 2015).
‘The Aesthetics of Classification’, in N. Zschocke (ed.), Universal – Specific. From analysis to intervention?, (Zürich: ETH, 2015).
‘Living Paint, even after the death of the colony: The properties of life in the Bradshaw paintings among things that replicate themselves’, in Mihnea Mircan (ed.), Allegory of the Cave Painting, (Milan, Mousse Press, 2014) In Press
‘William Colenso, Marianne North, and Economic Botany at Kew’, Botanical Drift, Berlin, K. Verlag, 2015. In Press
‘The Possessed Past’, Julie Gough, in Terri Ann White (ed.), (Perth, University of Western Australia, 2015), In Press
‘Object to Project: Artist’s Interventions in Museums’, in: Christopher Marshall (Ed.), Sculpture in the Museum, (London, Ashgate Press, 2012), 216-239.
‘Curating Curiosity: Wonder’s Colonial Phenomenology’, in: Timothy Mehigan (Ed.), Frameworks, Artworks, Place: The Space of Perception in the Modern World, (Amsterdam, Rodopi Press), 2008, pp. 203-225. Reviewed by Eugenia Fratzeskou, Leonardo, (Cambridge, MIT Press, 2008), Vol. 42, No.1, 86-87.

Contributions to Conference Proceedings

‘Vitrinendenken: Vectors between Subject and Object’, in: G. Ulrich Großmann and P. Krutisch (eds), The Challenge of the Object, Congress of the International Committee of the History of Art, (Nuremberg: Germanisches National Museum, 2013)
‘Wer performt Kunst? Die performenden Betrachter Innen’, This Sentence is Now Being Performed, (Vienna: Akademie Der Bildenden Kunst, 2010), pp. 31–5.
‘Small Mirrors to Large Empires: Towards a Theory of Meta-museums in Contemporary Art’, in Jaynie Anderson (Ed.), Crossing Cultures, Economies of desire: art collecting and dealing across cultures, Proceedings of the 32nd Congress of the International Committee of the History of Art (CIHA), (Melbourne: Melbourne University Press, 2009), 1012-1017.

Poetry

Aschley Painting at the Embassy & Penumbra Cadiz, (London: Molly Bloom, 2013)
Three Tiles of Text, In: Her Eyes and My Voice: A Relationship in Ekphrasis, Connie Butler and Lauren Godfrey (Eds), (London, Hato Press, 2012).
Interrogation at the Embassy, (Stuttgart: Edition Taube, 2010, 2nd Edition 2012).
Façades, In: The Harvard Dudley Literary Review, Volume 11, (Cambridge, Harvard University Press, 2005), 66-67.

Critical Essays and Reviews

Australia by Wilhelm von Blandowski, Australian Aboriginal Studies Journal (Canberra: Australian Aboriginal Studies Press, 2012), 1, 105-108.
The Object as Subject: dOCUMENTA 13, Artlink (Adelaide: Artlink, 2012), 32, 81-85
Breaking with Tradition, Artlink Indigenous, (Adelaide: Artlink), June 2011.
Documentary as Evidence?, In: Kaleidoscope, Ed. Joanna Fiduccia, 8, (Milan: Kaleidoscope, 2010).
Culture Warriors, In: Blak on Blak Artlink, Vol. 30, 1, (Adelaide: Artlink, 2010), 112-115.
Desert Visions Reach Across an Ocean, In: The Sydney Morning Herald, (August 25, 2007). Also printed as exhibition text at The Kluge-Ruhe Aboriginal Art Collection, (Charlottesville, University of Virginia, 2007).
Our culture’s still cringing, In: The Age, (July 25, 2005)
Paul Capsis at home in Vienna, In: RealTime, 47, (2002), 30-36

Exhibition Catalogues

The Artist as CV, in: Super Vero, (Vienna: Academy of Fine Arts), 2013
The Rise and fall, in: Chan, Carson and Nadim Samman (eds), Higher Atlas/Au-delà de l’Atlas, (Berlin: Sternberg Press, 2012) 313-336.
Kranich Museum, (Hessenburg: Kranich Museum, 2011).
Le Musée comme la Silhouette, in: Jean-Charles Agboton-Jumeau (Ed.), Exposition 5-31 Janvier 2009, (Cherbourg-Octeville: Ecole des beaux-arts de Cherbourg-Octeville, 2009), 22-29.
Europe Lost and Found, in: Basekamp (Ed.), Plausible Artworlds, (Philadelphia: Institute of Contemporary Art, 2007), 6-8.
Living Monuments, in: Mihnea Mircan (Ed.), Memosphere: Rethinking Monuments, (Venice Biennale: Revolver Press, 2007), 4-6. Also published in an installation titled Living Monuments + Track Changes, in: Lost Highway Exhibition, (Ljubljana: Skuc Gallery, 2007), 10-12.
6: Six artists from the MIT visual arts program, (Cambridge, MIT Centre for Advanced Visual Studies and Space Other Gallery Boston, 2006).