VII. Internationales Doktorandenforum Kunstgeschichte des östlichen Europas / VII International Forum for Doctoral Candidates in East European Art History
Beiträge / Papers 2021
Alcalá-Galiano, Louis: Two Sides of the Coin. West & East 19th Century Portraits Face Each Other
Anastasiei, Iolanda-Georgiana: Independent Art Galleries in the Context of Romanian Visual Arts (2000-2019) – Organization Mechanisms and Aesthetic Features
Barentsen, Sterre: An Environmental Art History of the GDR
Bojtos, Anikó: In the Swirl of Changing Styles and Tastes – The History of the Hungarian Masterclasses for Painting
Brozman, Dušan: Dualismen und Triaden in der Kunst der slowakischen Neo-Avantgarde. Zu einer Deutung ihrer Bildsprachen
Bruneizerytė, Viktorija: Image of an Actress in the Interwar Lithuania
Chukcheeva, Maria: The Images of the National Past in Russian Art and Historical Culture in the Second Half in the 19th Century Russia
Denysova, Katia: Ukrainian Avant-Garde Art and the Construction of National Identity
Derado, Dora: Appropriation Strategies in 20th-Century Art in Croatia: Their Modes of Articulation and Impact on the Scope of Artistic Activity
Dvorakk, Elisaveta: Annemarie Schwarzenbach’s Image Reports 1937-38. Journalistic Travel Photography and Political Aesthetics of the Documentary
Farkas, Mariann: Hédi Tarján (1932–2008) and Uri Asaf (b. 1942–): Hungarian Jewish Artists Confronting the Holocaust, Communism and Integration into Israeli Society
Griffin, Esther: Maria Kazimiera (1641 – 1716): Networks of Architectural Patronage and Collecting
Gucsa, Magdolna: Dreaming and Collecting Dreams in the Occupied France: Emil Szittya’s Illustrated Collection of 82 Dreams
Győrffy, Rachel: Towards a Potemkin-City. A Critical Investigation of the Architectural Reconstructivist Trend in Central and Eastern Europe
Jankov, Sonja: Quoting Architecture of Yugoslav Modernism as Creative and Interpretative Method in Contemporary Art Practices
Jeziorowska, Emilia: Détournement in Iconosphere of Protests in 2011-2012: Arab Spring, Occupy Wall Street, Indignados
Johanidesová, Tereza: Key Concepts, Terms and Interpretation Strategies of Czech Marxist Iconology
Kaczmarek, Adrianna: The Modern Face. Polish Self-Portraits in Print
Kiliszek, Joanna: Values and Valuation of Modern and Contemporary Visual Art. The Role of Reflexive Practice – Collection of the Museum of Art in Łódź 1931 – 2018
Klinger, Larissa: Sinneswandel und Wertekonkurrenz – der doppelte Bildsinn im Werk von Alexander Kosolapov
Kumelowski, Ewa Anna: The Sarajevo Ghetto Spectacle: Historical Trajectories of the Yugoslav Visual Arts Community during the Siege of Sarajevo
László, Zsuzsa: The Emergence and Critique of the Concept “East European Art”: Figures of Misunderstanding and Cultural Translation
Ļegčiļina-Broka, Rita: Landscape in Latvian Textile Art. Capturing the Essence of a Place
Mania, Irina: Tbilisi Caravanseraies: Cultural and Architectural Study
Mátravölgyi, Dorottya: Stages of Participation in Contemporary Theatre
Minea, Cosmin: ‘Old Buildings for Modern Times: The Rise of Architectural Monuments as Symbols of the State in Late Nineteenth-Century Romania’
Odnoviun, Valentyn: Intersections Among Ukrainian, Lithuanian, Latvian, Polish and Czechoslovak Art Photographers from 1960s to Late 1980s
Olkheft, Olga: Re-conception of Russian Avant-Garde Art in the Context of Cultural Cold War (1960s – 1980s)
Schlegel, Gaia Irina: Visual Working Objects – The Construction of National Heritage in Jan Sas Zubrzycki’s Treasury of Architecture in Poland
Schmieder, Felix: Negotiating Status and Gender Boundaries in Early Modern Residences
Skip, Olena: Das Phänomen der Ukrainischen Avantgarde dargestellt am Beispiel von David Burliuk, Vasilij Ermilov und Viktor Palmov
Skip, Veronika: Hordynskyjs, Mehyks und Kozaks Schaffen im Kontext der ukrainischen Künstlerdiaspora in Deutschland und Amerika
Sułek, Ewa: Space of Transformation: four Models of Contemporary Art Centres in Kyiv
Tilta, Evelina: Functions of the Aesthetic Concepts “Beautiful” and “Sublime” in the Context of Contemporary Art
Timonina, Alexandra: Exhibition Strategies of Russian Modernism in the 1900s – 1910s
Tsetskhladze, Ketevan: Contemporary Art in Georgia during Perestroika
Tuschinski, Natalia: Form und Politik: das sog. Griechische Projekt in Architektur und Städtebau des Russländischen Reiches im 18. Jahrhundert
Volná, Tereza Vernerová: Rituals of Representation – Insignia of Czech Universities since 1882
Walczak, Dorota: Activities of the Committee for Care of Russian Icon Painting (1901–1918) What Should Russian Sacred Art Look like? The Committee for Care of Russian Icon Painting in Search of the „National Style” in Icon Painting
